Skip to main content

Untitled

Object NameMural
Artist / Maker ((American, b. 1971))
Date2017
MediumUV Ink on Polymural Canvas, Nova Acrylic Paint, Speedball Acrylic Silk Screen Ink. Ronan Enamel, Gamblin Oil Paint, R&F Oil Pigment Stick, Precosia MC Chaton Rose Flat Back Black Diamond 20ss Rhinestones, Imitation Gold Leaf sealed with Zinsser Clear Shellac, Glitter (Black, Lavender), Liquitex Gloss Medium Varnish, Holbein Crystal Varnish, Crafters Pick “The Ultimate” Glue, Lucius Hudson Aluminum Strainers
ClassificationsPaintings
Credit LineCommissioned by the University Museums and the Department of Residence. An Iowa Art in State Buildings Project for the Department of Residence, Geoffroy Hall. In the Art on Campus Collection, University Museums, Iowa State University, Ames, Iowa.
Object numberU2017.399
Status
On view
CultureAmerican
Label TextFrom the University Museums Collections Handbook, vol. 2, 2025: Located in the lobby of Geoffroy Hall, Mickalene Thomas’ Untitled is meant to draw nostalgia and a sense of belonging to the viewer inhabiting the large campus dormitory. The large mural spans a collaborative workspace for students often used as a study area. The mural depicts five colorful living rooms, each with patterns and furniture inspired by Thomas’ childhood in the 1970s. The artist worked to create interiors that could connect with students from diverse backgrounds and draw their attention with bright colors, rhinestones, and mirrored surfaces. Mickalene Thomas was born in Camden New Jersey, and studied at the Yale School of Art, and painted the first individual portrait of First Lady Michelle Obama. Her work is known for mixed media paintings and collage, using easily accessible materials not traditionally used for fine art such as felt, rhinestones, and glitter. These materials are nontraditional in murals but connect memory and objects within the home to create nostalgia for the viewer. Atypical materials can be found throughout Thomas’ mural including: Ronan Enamel, R&F Oil Pigment Stick, Precosia MC Chaton Rose Flat Back Black Diamond 20ss Rhinestones, Imitation Gold Leaf, Glitter (Black, Lavender), and Lucius Hudson Aluminum Strainers The mural in Geoffrey Hall is meant to recall home for Iowa State students. ------------------------------------------------------------------------------------------------------------------- Crafted with acrylic, rhinestones, and enamel, the vibrant interwoven patterns adorning Thomas’ art are inspired by her childhood in the 1970s. Grouped into five distinct, yet related interior scenes, Untitled is focused on the idea that the design of a space has a psychological effect on the viewer’s subconscious. Each section of the mural can be interpreted individually by the viewer, based on their personal experiences and cultural backgrounds. This is especially important because the main audience is the students living in the residence hall who come from many different places in the world. Thomas carefully considered how the interiors depicted would relate to people from all walks of life. Additionally, the mirror-like surface allows the viewer to see themselves within the collage. One of the main inspirations, to make an interior design mural into five components, is the artist’s consideration of the psychological effect of interior design on the viewer’s subconscious. The fact that students are coming from many different places in the world, Thomas carefully considered how the interiors depicted in the collage would relate to people from various, if not all, walks of life. The patterns, textures and other details found in the mural, are subtle indicators of which the entire student body can relate to. The reflective, mirror-like surface also allows for open-ended responses, by allowing the students to see themselves in the work. It is well documented that interior spaces have an effect on our emotions and perceptions. The color one chooses for their walls, as well as the ways in which they arrange their furniture, impacts their subconscious. The symbolic cultural color meanings, combined with each interior layout, will be interpreted individually by each student, based on their personal experiences and cultural backgrounds. Evan Harrison, an architecture student in the College of Design (class of 2018), served as an intern on the project working closely with the artist at her New York City studio and assisting with the installation of the mural upon its arrival at Iowa State University.
Locations
  • (not entered)  Iowa State University, Geoffroy Hall
Preparatory study for Unlimited Possibilities
Object Name: Drawing
Doug Shelton
1996
Object number: UM98.8
The Life and Times of M.E. Ensminger
Object Name: Mural
Jason Gaillard
1998
Object number: U98.31
Untitled
Object Name: Papercut signature logo for Museums
Linda Murray Emmerson
2000
Object number: UM2000.54
Life and Times of M.E. Ensminger
Object Name: Study for mural
Jason Gaillard
1998
Object number: U99.25
Vase
Object Name: Vase
Yabu Meizan
19th century
Object number: 2.3.12
Architectual Plans
Object Name: Architectual Plans
Pegasus Studios
Object number: U2011.162
Architectual Plans
Object Name: Architectual Plans
Pegasus Studios
January 2009
Object number: U2011.164
Shoulders of Giants
Object Name: Sculpture
Nina de Creeft Ward
1998
Object number: U98.10ab
Library Boy and Girl
Object Name: Sculptures
Christian Petersen
1944
Object number: U88.67ab
The Fifth Muse
Object Name: Installation
Norie Sato
2016
Object number: U2016.506
Study for Balance of Life
Object Name: Studies
Object number: U2007.6ab
ISU Horticulture...Looking Back, Looking Ahead...Cultivating Knowledge Now
Object Name: Installation, mural
Sarah Grant
2011
Object number: U2011.441abc