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University Museums, Iowa State University prohibits the copying or reproduction in any medium o ...
March
University Museums, Iowa State University prohibits the copying or reproduction in any medium o ...
University Museums, Iowa State University prohibits the copying or reproduction in any medium of materials on this website with the following exceptions: Iowa State University students, faculty, and staff for educational use in formal instruction, papers, presentations and projects; limited non-commercial; and personal use that meets the criteria for fair use as defined in the U.S. copyright laws. Images from the University Museums’ collection cannot be used for publication, apparel/non-apparel merchandise, digital or commercial purposes without prior written permission from the University Museums, Iowa State University. Fair use does not apply to the extent that a license agreement or other contract controls reproduction or other use. University Museums and Iowa State University makes no representation that it is the owner of the copyright of the art object depicted in the photo materials and assumes no responsibility for any claims by third parties arising out of use of the photo materials. Users must obtain all other permissions required for usage of the art object and the photo materials. For more information, please see http://www.museums.iastate.edu/ImageReproduction.html

March

Object NameLithograph
Artist / Maker (American, 1892 - 1942)
Date1939
MediumLithograph
Dimensions8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)
ClassificationsPrints and Printing Plates
Credit LineGift of Orville and Olga Skott Ruggeberg. In the permanent collection, Brunnier Art Museum, University Museums, Iowa State University, Ames, Iowa.
Object numberUM2004.67
Status
Not on view
CultureAmerican
EditionEdition of 250.
Label TextMarch follows the typical guidelines of Wood's agrarian pastoral scenes with gently rolling hills leading the eye to an isolated farmstead. Dormant fields await the growth of the forthcoming planting season. "The increased angularity of shape and composition suggests the forceful presence of the strong, biting winds. In March, the road no longer winds its way gracefully over the land but slashes in a z-form... from the foreground to the top of the picture, broken up by sharp wedges of dark gullies and ditches along the way. In the original drawing for the lithograph the road elbows treacherously to the right, all but disappearing before it angles toward the farm buildings above. Bare trees and bushes lean with the wind, and the banks bristle with last years weeds. In the finished drawing and final lithograph, however, the road and hills have been smoothed out and fence posts have replaced trees. The house and barn and a lone tree bend in distorted animation towad an Bentonesque team of wagon and driver who strain to reach their destination at the end of the road." (Dennis, James. Grant Wood. Columbia: University of Missouri Press, 1986. p 202).
PeriodAmerican Regionalism
Published ReferencesCole 14
SignedSigned in pencil, lower right: Grant Wood.
StyleAmerican Regionalism
Locations
  • (not entered)  Iowa State University, Brunnier Main Storage
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