Continental Hall pattern

Object NamePlatter

Manufacturer Atterbury and Co. (American (Pittsburgh, PA), 1859 - 1894)

Date1875

MediumClear non-flint pressed glass.

Dimensions13 x 9 in. (33 x 22.9 cm)

ClassificationsDecorative Arts, Glass

Credit LineGift of Jacquelyn and Ronald Smith in honor of Jacquelyn's father, James K. Burke of Waterloo, IA. In the Iowa Quester Glass Collection, Brunnier Art Museum, University Museums, Iowa State University, Ames, Iowa.

Object numberUM2008.24

Status

On view

Collections

CultureAmerican

Label TextThe United States Centennial of 1876, marking 100 years since the signing of the Declaration of Independence, had a profound impact on decorative arts, reflecting both national pride and the desire to celebrate American craftsmanship. The Centennial Exposition in Philadelphia showcased a wide array of decorative objects, including furniture, ceramics, silverware, textiles, and metalwork, highlighting the skill of both American and international artisans. Designs often incorporated patriotic symbols such as the eagle, stars, flags, and colonial motifs, blending historic references with contemporary styles like Victorian ornamentation and Aesthetic Movement influences. The Continental Hall pattern tray features the Memorial Hall from the 1876 Centennial Exposition in Philadelphia. Centennial-inspired decorative arts emphasized both artistry and innovation. Manufacturers and craftsmen used the occasion to demonstrate technical skill, experiment with new materials, and appeal to a growing middle-class market eager for objects that conveyed taste, education, and civic pride. Souvenirs such as commemorative plates, vases, and engraved metalwork became widely popular, serving not only as decorative items but also as tangible reminders of the nation’s history and progress. Overall, the Centennial helped shape an emerging American aesthetic, one that celebrated heritage while signaling modernity and cultural ambition.

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