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University Museums, Iowa State University prohibits the copying or reproduction in any medium o ...
Untitled (Still Life with Spider Mums)
University Museums, Iowa State University prohibits the copying or reproduction in any medium o ...
University Museums, Iowa State University prohibits the copying or reproduction in any medium of materials on this website with the following exceptions: Iowa State University students, faculty, and staff for educational use in formal instruction, papers, presentations and projects; limited non-commercial; and personal use that meets the criteria for fair use as defined in the U.S. copyright laws. Images from the University Museums’ collection cannot be used for publication, apparel/non-apparel merchandise, digital or commercial purposes without prior written permission from the University Museums, Iowa State University. Fair use does not apply to the extent that a license agreement or other contract controls reproduction or other use. University Museums and Iowa State University makes no representation that it is the owner of the copyright of the art object depicted in the photo materials and assumes no responsibility for any claims by third parties arising out of use of the photo materials. Users must obtain all other permissions required for usage of the art object and the photo materials. For more information, please see http://www.museums.iastate.edu/ImageReproduction.html

Untitled (Still Life with Spider Mums)

Object NamePainting
Artist / Maker (American, 1892 - 1942)
Date1920s
MediumOil on canvas, framed
Dimensions26 1/4 × 29 1/2 × 2 in. (66.7 × 74.9 × 5.1 cm)
ClassificationsPaintings
Credit LineGift of Chuck Larson. In the permanent collection, University Museums, Iowa State University, Ames, Iowa.
Object numberUM2020.56
Status
Not on view
Collections
CultureAmerican
Label TextIn the 1910s and 1920s, Wood supported himself and his family during his early career mainly by his work as a craftsman, designer, and builder. Although it brought him little financial success for many years, painting was a constant occupation for him and through those paintings, we can trace his artistic development. The University Museums’ Still Life is typical of Wood’s production prior to the late 1920s. His approach is not appreciably different from that of dozens of other Iowans of the time, including conservatives like Charles A. Cumming who, until Wood’s ascendancy, was the preeminent artist in Iowa. It is a loose version of late 19th century academic painting, with an infusion of Impressionism, and is a generic floral still life, similar to many others. He painted a number of such works in the 1920s, including ones for the mortuary of his patron, David Turner, who gave the artist his studio-home at 5 Turner Alley in Cedar Rapids; Wood also sent paintings to Dunn’s funeral home in Des Moines, and these are now in the collection of the Des Moines Art Center. Though not at all beyond the mainstream of other American paintings of the time, Still Life does hold some hints of a distinction that would emerge at the end of the decade.
SignedSigned GRANT WOOD, lower left.
Locations
  • (not entered)  Iowa State University, Brunnier Main Storage
University Museums, Iowa State University prohibits the copying or reproduction in any medium o ...
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